{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://queenslibrary.aviaryplatform.com/iiif/tt4fn1171n/manifest","type":"Manifest","label":{"en":["Orestes Gonzalez Oral History"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/010/original/Aviary_QPLlogo_192x192.png?1578574261","metadata":[{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003e\u003cstrong\u003eIn The Artist's Studio\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eThis interview is part of \"In The Artist's Studio,\" which is part of the virtual exhibition  \u003ca href=\"https://www.licartists.org/lic-present\"\u003eLIC: Present\u003c/a\u003e.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003eOrestes Gonzalez is a photographer and curator based in Long Island City. Gonzalez speaks with interviewer Jo-Ann Wong about why he moved from Manhattan to Long Island City in the early 1990s, his involvement in the LIC Arts Open arts festival over the past ten years, and his more recent involvment in exhibitions at the Plaxall Gallery in Long Island City. Gonzalez identifies important personal qualities of being a curator and describes how two exhibitions that he curated before the COVID-19 pandemic, titled \"Disruptions\" and \"Life Interrupted\", have taken on new meaning since the pandemic. Gonzalez details how the pandemic has drastically altered his own day-to-day activities and the photography projects he has chosen to devote his time to. He also details how the pandemic has changed the nature of personal interactions in public spaces and has financially devastated many New York City artists. Additionally, in regards to his own photography work, Gonzalez reflects on the differences between photographing on a smartphone versus a traditional digital camera.\u003c/p\u003e","\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e2019 Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 1:\u003c/strong\u003e Orestes Gonzalez talks about buying and fixing up a boarded up house in Long Island City in 1991. The neighborhood had lots of \"old timer\" Italian and Irish, and the Queensbridge Projects were nearby. His house cost $148,000, and his neighbor had been a Broadway dancer.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 2:\u003c/strong\u003e Long Island City was an industrial area in the 1990's and quiet on the weekends. Queens did not have much to do, Murray Park was desolate. He would often go to Greenpoint Brooklyn where there was more going on. That area had a lot of Polish immigrants and he admired their craftsmanship.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 3:\u003c/strong\u003e Orestes Gonzalez talks about his photography exhibit of portraits of artist living in Long Island City.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 4:\u003c/strong\u003e Orestes thinks there is both good and bad things about the potential Amazon HQ in Long Island City. It would be good for the value of the property he owns, but it would also stress the local infrascruture. (Amazon did not end up creating a HQ in LIC.)\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 5:\u003c/strong\u003e Orestes Gonzalez talks about what Queens needs for the future, policies to keep it diverse, and improving the MTA.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSummary of Full Interview: \u003c/strong\u003eOrestes Gonzalez was born in Cuba and migrated to the US in 1961. He predominantly lived in Miami, Texas and New York. An architect, he started buying up properties in Long Island City and would fix them up. He loves the diversity of Queens and believes it’s something to cherish. He is active in the LIC arts community and part of the Court Square Civic Association.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCC BY-NC-SA Contact digitalarchives@queenslibrary.org for research and reproduction requests.\u003c/span\u003e\u003c/p\u003e"]}},{"label":{"en":["Source Metadata URI"]},"value":{"en":["http://digitalarchives.queenslibrary.org/search/browse/34077"]}},{"label":{"en":["Date"]},"value":{"en":["2019-01-22 (created)","2020-07-20 (created)"]}},{"label":{"en":["Agent"]},"value":{"en":["Orestes Gonzalez (Interviewee)","Fran Kipnis (Interviewer)","Jo-Ann Wong (Interviewer)"]}},{"label":{"en":["Source"]},"value":{"en":["2019 Interview conducted in collaboration with LIC Artists Inc.","2020 Interview conducted by Jo-Ann Wong as part of \"In The Artist's Studio,\" part of the virtual exhibition LIC: Present."]}},{"label":{"en":["Coverage"]},"value":{"en":["Long Island City, Queens, NY (spatial)","1950s-2020 (temporal)"]}},{"label":{"en":["Language"]},"value":{"en":["English (Primary)"]}}],"summary":{"en":["\u003cp\u003e\u003cstrong\u003eIn The Artist's Studio\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eThis interview is part of \"In The Artist's Studio,\" which is part of the virtual exhibition \u0026nbsp;\u003ca href=\"https://www.licartists.org/lic-present\"\u003eLIC: Present\u003c/a\u003e.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003eOrestes Gonzalez is a photographer and curator based in Long Island City. Gonzalez speaks with interviewer Jo-Ann Wong about why he moved from Manhattan to Long Island City in the early 1990s, his involvement in the LIC Arts Open arts festival over the past ten years, and his more recent involvment in exhibitions at the Plaxall Gallery in Long Island City. Gonzalez identifies important personal qualities of being a curator and describes how two exhibitions that he curated before the COVID-19 pandemic, titled \"Disruptions\" and \"Life Interrupted\", have taken on new meaning since the pandemic. Gonzalez details how the pandemic has drastically altered his own day-to-day activities and the photography projects he has chosen to devote his time to. He also details how the pandemic has changed the nature of personal interactions in public spaces and has financially devastated many New York City artists. Additionally, in regards to his own photography work, Gonzalez reflects on the differences between photographing on a smartphone versus a traditional digital camera.\u003c/p\u003e","\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e2019 Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 1:\u003c/strong\u003e Orestes Gonzalez talks about buying and fixing up a boarded up house in Long Island City in 1991. The neighborhood had lots of \"old timer\" Italian and Irish, and the Queensbridge Projects were nearby. His house cost $148,000, and his neighbor had been a Broadway dancer.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 2:\u003c/strong\u003e Long Island City was an industrial area in the 1990's and quiet on the weekends. Queens did not have much to do, Murray Park was desolate. He would often go to Greenpoint Brooklyn where there was more going on. That area had a lot of Polish immigrants and he admired their craftsmanship.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 3:\u003c/strong\u003e Orestes Gonzalez talks about his photography exhibit of portraits of artist living in Long Island City.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 4:\u003c/strong\u003e Orestes thinks there is both good and bad things about the potential Amazon HQ in Long Island City. It would be good for the value of the property he owns, but it would also stress the local infrascruture. (Amazon did not end up creating a HQ in LIC.)\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 5:\u003c/strong\u003e Orestes Gonzalez talks about what Queens needs for the future, policies to keep it diverse, and improving the MTA.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSummary of Full Interview: \u003c/strong\u003eOrestes Gonzalez was born in Cuba and migrated to the US in 1961. He predominantly lived in Miami, Texas and New York. An architect, he started buying up properties in Long Island City and would fix them up. He loves the diversity of Queens and believes it\u0026rsquo;s something to cherish. 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