{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://queenslibrary.aviaryplatform.com/iiif/rv0cv4c60f/manifest","type":"Manifest","label":{"en":["Kaiser Kamal Oral History"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/010/original/Aviary_QPLlogo_192x192.png?1578574261","metadata":[{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003e\u003cstrong\u003eIn The Artist's Studio\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eThis interview is part of \"In The Artist's Studio,\" which is part of the virtual exhibition \u003ca href=\"https://www.licartists.org/lic-present\"\u003eLIC: Present\u003c/a\u003e.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003eKaiser Kamal is a mixed-media artist who works in the Queens neighborhoods of Long Island City and Jamaica. Kamal speaks with interviewer Jo-Ann Wong about his work as a conceptual and experimental artist, his motivations as a founding member of the Bangladeshi American Art Forum, and his experience partnering with two other artists to open ArtistRun Gallery in Long Island City. Kamal also discusses his experience curating exhibitions and the diffulties he has encountered being a curator versus being an artist. Regarding the COVID-19 pandemic, Kamal reflects on how his own artistic activities have changed during the pandemic, including working from home, relying on online communications, and participating in online cultural activities. Additionally, Kamal shares his observations of how the pandemic has impacted the artwork of other artists and has dramatically altered public social interactions.\u003c/p\u003e","\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e2018 Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 1\u003c/strong\u003e:  Kaiser Kamal describes what is considered to be South Asian Art.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 2\u003c/strong\u003e:  Kaiser Kamal speaks about pursuing a PhD through the CUNY system and the inherent micro-racism in the system.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 3\u003c/strong\u003e:  Kaiser Kamal compares and contrasts the Art Scene in New York City to that of Bangladesh.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSummary of Full Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eKaiser Kamal is a Bangladeshi immigrant who moved to New York City in 2005 to pursue a career in Studio Art. Mr. Kamal discusses his struggles in getting into a PhD program in New York City and the inherent bias in the Education system. He also goes on to discuss his struggles as an artist and how those struggles have influenced his choices. As a South Asian Artist focused on South Asian Art, Kaiser Kamal mentions the similarities and differences in New York City’s and Bangladesh’s art scene. He also notes his trajectory as a struggling to a successful artist briefing various accounts of artist collectives and art shows. Mr. Kamal talks about his break to display his art at the Queens Public Library and the value of those initiatives to up and coming artists.\u003c/p\u003e"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCC BY-NC-SA Contact digitalarchives@queenslibrary.org for research and reproduction requests.\u003c/span\u003e\u003c/p\u003e"]}},{"label":{"en":["Source Metadata URI"]},"value":{"en":["http://digitalarchives.queenslibrary.org/search/browse/34493"]}},{"label":{"en":["Date"]},"value":{"en":["2018-11-17 (created)","2020-07-27 (created)"]}},{"label":{"en":["Agent"]},"value":{"en":["Kaiser Kamal (Interviewee)","Omayma Hassanain (Interviewer)","Jo-Ann Wong (Interviewer)"]}},{"label":{"en":["Source"]},"value":{"en":["2018 Interview conducted by Nick Hirshon's fall 2018 class from William Paterson University, in collaboration with LIC Artists Inc.","2020 Interview conducted by Jo-Ann Wong as part of \"In The Artist's Studio,\" part of the virtual exhibition LIC: Present."]}},{"label":{"en":["Coverage"]},"value":{"en":["Long Island City and Jamaica, Queens, NY; New York, NY; Bangladesh (spatial)","1980s-2020 (temporal)"]}},{"label":{"en":["Language"]},"value":{"en":["English (primary)"]}}],"summary":{"en":["\u003cp\u003e\u003cstrong\u003eIn The Artist's Studio\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eThis interview is part of \"In The Artist's Studio,\" which is part of the virtual exhibition \u003ca href=\"https://www.licartists.org/lic-present\"\u003eLIC: Present\u003c/a\u003e.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003eKaiser Kamal is a mixed-media artist who works in the Queens neighborhoods of Long Island City and Jamaica. Kamal speaks with interviewer Jo-Ann Wong about his work as a conceptual and experimental artist, his motivations as a founding member of the Bangladeshi American Art Forum, and his experience partnering with two other artists to open ArtistRun Gallery in Long Island City. Kamal also discusses his experience curating exhibitions and the diffulties he has encountered being a curator versus being an artist. Regarding the COVID-19 pandemic, Kamal reflects on how his own artistic activities have changed during the pandemic, including working from home, relying on online communications, and participating in online cultural activities. Additionally, Kamal shares his observations of how the pandemic has impacted the artwork of other artists and has dramatically altered public social interactions.\u003c/p\u003e","\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e2018 Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 1\u003c/strong\u003e: \u0026nbsp;Kaiser Kamal describes what is considered to be South Asian Art.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 2\u003c/strong\u003e: \u0026nbsp;Kaiser Kamal speaks about pursuing a PhD through the CUNY system and the inherent micro-racism in the system.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 3\u003c/strong\u003e: \u0026nbsp;Kaiser Kamal compares and contrasts the Art Scene in New York City to that of Bangladesh.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSummary of Full Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eKaiser Kamal is a Bangladeshi immigrant who moved to New York City in 2005 to pursue a career in Studio Art. Mr. Kamal discusses his struggles in getting into a PhD program in New York City and the inherent bias in the Education system. He also goes on to discuss his struggles as an artist and how those struggles have influenced his choices. As a South Asian Artist focused on South Asian Art, Kaiser Kamal mentions the similarities and differences in New York City\u0026rsquo;s and Bangladesh\u0026rsquo;s art scene. He also notes his trajectory as a struggling to a successful artist briefing various accounts of artist collectives and art shows. Mr. Kamal talks about his break to display his art at the Queens Public Library and the value of those initiatives to up and coming artists.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: black; background: white;\"\u003eCC BY-NC-SA Contact digitalarchives@queenslibrary.org for research and reproduction requests.\u003c/span\u003e\u003c/p\u003e"]}},"provider":[{"id":"https://queenslibrary.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Queens Public Library"]},"homepage":[{"id":"https://queenslibrary.aviaryplatform.com/","type":"Text","label":{"en":["Queens Public Library"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/010/original/Aviary_QPLlogo_192x192.png?1578574261","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/096/992/small/kamal.png?1600101209","type":"Image","format":"image/png"}],"items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992","type":"Canvas","label":{"en":["Media File 1 of 4 - In_the_Artist's_Studio_with_Kaiser_Kamal-_FINAL.mp4"]},"duration":2996.33065,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/096/992/small/kamal.png?1600101209","type":"Image","format":"image/png"}],"items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992/content/1","type":"AnnotationPage","items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-queenslibrary.s3.wasabisys.com/collection_resource_files/resource_files/000/096/992/original/In_the_Artist's_Studio_with_Kaiser_Kamal-_FINAL.mp4?1600098199","type":"Video","format":"video/mp4","duration":2996.33065,"width":640,"height":360},"target":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992","metadata":[]}]}],"annotations":[{"id":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992/index/92000","type":"AnnotationPage","label":{"en":["Full Index [Index]"]},"items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992/index/92000/annotation/1","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Artistic style and inspiration","format":"text/plain","label":{"en":["Title"]}}],"target":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992#t=0.0,184.0"},{"id":"https://queenslibrary.aviaryplatform.com/collections/153/collection_resources/14002/file/96992/index/92000/annotation/2","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Kaiser Kamal describes himself as an experimental abstract conceptual artist; 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