{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://queenslibrary.aviaryplatform.com/iiif/m03xs5k21m/manifest","type":"Manifest","label":{"en":["Pazel Jackson Oral History"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/010/original/Aviary_QPLlogo_192x192.png?1578574261","metadata":[{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003e\u003cstrong\u003eClip 1:\u003c/strong\u003e  Construction of the 1964 World's Fair was mostly on-time, but not without some delays. Some structures were not completed when the Fair started. One week before the opening, a press tour of the Fair grounds was given. The guides were instructed to avoid the incomplete buildings and not talk about them, but Gen. Whipple's car took a wrong turn and he spoke about the incomplete structures. He was fired when the New York Times published an article about these structures the day after.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 2:\u003c/strong\u003e Pazel Jackson shares his knowledge about the construction of Shea Stadium. Normally athletic stadiums take many years to be constructed, but Moses wanted the stadium complete in time for the 1964 World's Fair. Shea is an almost exact replica of Candlestick Park in San Francisco. The engineers had the contractor duplicate the components of Candlestick Park and used them to build Shea Stadium. This allowed them to finish the building in time.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSummary of Full Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eDr. Pazel Jackson was the Assistant Chief of Planning for the 1964-1965 World's Fair. He explains the work that he did for the Fair and shares some of the stories he remembers from the construction and demolition of the Fair's exhibits. He talks about Robert Moses' original vision for Flushing Meadows Park as well as some of the construction issues the World's Fair Corporation faced.\u003c/p\u003e"]}},{"label":{"en":["Source"]},"value":{"en":["Interview recorded as part of the Queens Museum Oral History Project."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Coverage"]},"value":{"en":["1964-1965 (temporal)","Flushing Meadows-Corona Park, Queens, NY (spatial)"]}},{"label":{"en":["Date"]},"value":{"en":["2014-08-29 (created)"]}},{"label":{"en":["Agent"]},"value":{"en":["Dr. Pazel Jackson (Interviewee)","Abigail Banks (Interviewer)"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCC BY-NC-SA Contact digitalarchives@queenslibrary.org for research and reproduction requests.\u003c/p\u003e"]}},{"label":{"en":["Type"]},"value":{"en":["Audio"]}}],"summary":{"en":["\u003cp\u003e\u003cstrong\u003eClip 1:\u003c/strong\u003e \u0026nbsp;Construction of the 1964 World's Fair was mostly on-time, but not without some delays. Some structures were not completed when the Fair started. One week before the opening, a press tour of the Fair grounds was given. The guides were instructed to avoid the incomplete buildings and not talk about them, but Gen. Whipple's car took a wrong turn and he spoke about the incomplete structures. He was fired when the New York Times published an article about these structures the day after.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClip 2:\u003c/strong\u003e Pazel Jackson shares his knowledge about the construction of Shea Stadium. Normally athletic stadiums take many years to be constructed, but Moses wanted the stadium complete in time for the 1964 World's Fair. Shea is an almost exact replica of Candlestick Park in San Francisco. The engineers had the contractor duplicate the components of Candlestick Park and used them to build Shea Stadium. This allowed them to finish the building in time.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSummary of Full Interview\u003c/strong\u003e\u003c/p\u003e\r\n\u003cp\u003eDr. Pazel Jackson was the Assistant Chief of Planning for the 1964-1965 World's Fair. He explains the work that he did for the Fair and shares some of the stories he remembers from the construction and demolition of the Fair's exhibits. He talks about Robert Moses' original vision for Flushing Meadows Park as well as some of the construction issues the World's Fair Corporation faced.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCC BY-NC-SA\u0026nbsp;Contact digitalarchives@queenslibrary.org for research and reproduction requests.\u003c/p\u003e"]}},"provider":[{"id":"https://queenslibrary.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Queens Public Library"]},"homepage":[{"id":"https://queenslibrary.aviaryplatform.com/","type":"Text","label":{"en":["Queens Public Library"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/010/original/Aviary_QPLlogo_192x192.png?1578574261","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119585","type":"Canvas","label":{"en":["Media File 1 of 2 - jackson_pazel_clip1.Mp3"]},"duration":141.88425,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119585/content/1","type":"AnnotationPage","items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119585/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-queenslibrary.s3.wasabisys.com/collection_resource_files/resource_files/000/119/585/original/jackson_pazel_clip1.Mp3?1626689506","type":"Audio","format":"audio/mpeg","duration":141.88425,"width":640,"height":360},"target":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119585","metadata":[]}]}],"annotations":[]},{"id":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119584","type":"Canvas","label":{"en":["Media File 2 of 2 - jackson_pazel_clip2.Mp3"]},"duration":108.2115,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119584/content/1","type":"AnnotationPage","items":[{"id":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119584/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-queenslibrary.s3.wasabisys.com/collection_resource_files/resource_files/000/119/584/original/jackson_pazel_clip2.Mp3?1626689506","type":"Audio","format":"audio/mpeg","duration":108.2115,"width":640,"height":360},"target":"https://queenslibrary.aviaryplatform.com/collections/1514/collection_resources/46528/file/119584","metadata":[]}]}],"annotations":[]}]}